Skip to main content

Art, Sustainability and Agriculture

Andrea Reynosa’s “John Street Pasture,” a public project at 1 John Street in Dumbo, Brooklyn, in collaboration with Brooklyn Grange, Alloy, & Smack Mellon (photograph by Etienne Frossard, courtesy of Smack Mellon)


Since I have written recently (here) about the many artists working at the intersection of art, science and nature, could not resist sharing this recent post from Hyperallergic about a new show and installation organized by Smack Mellon in Brooklyn's DUMBO of artists exploring urban agriculture and sustainability issues - FOODshed: Agriculture and Art in Action.

The project illustrated above - which is part of that group show - is also intended to address soil remediation on this site, which is something Mel Chin has addressed in his work for years, from Revival Field in 1990 through the Walker Art Center, to more recently Operation Paydirt in New Orleans.

Brooklyn (natch) even has an organization called the Center for Strategic Art and Agriculture. And a quick Googling of "art + agriculture" produces a plethora of organizations and programs all across the country, indeed around the world. There is a group, Art4Agriculture, in Australia. And The Fields Project takes its inspiration from a group of artists from the Art Institute of Chicago that in 1898 founded the Eagles Nest Art Colony to "bring art and agriculture together." (This is clearly not a new concept.)

PHOTO: Cribs, Installation by Brenda Baker Farm/Art DTour 2012
And, of course, this is not just an "urban agriculture" phenomenon. There are many extraordinary organizations and artists bring art and agriculture together in rural areas of the country - the "heartland". A great example is the work of Wormfarm in rural Wisconsin, which produces Farm/Art DTour (and a related project called Food Chain), supported by ArtPlace America - "a 10-day 50 mile, self guided tour through scenic farmland punctuated by temporary art installations."

And, finally, in my little art and agriculture snapshot, I would be remiss if I did not mention Colorado's own M12 collective. This is a group of artists based in the high plains of Colorado that "explores the aesthetics of rural cultures and landscapes." They have done projects all over the world. Pictured above is their base of operations, the Feed Store, in Byers, Colorado.

Comments

Popular posts from this blog

The Greatest Sacrifice Arts Workers Make for the Arts

With all the financial challenges arts workers are facing these days - struggling to balance the budgets of their organizations, or dealing with salary and benefit cuts on compensation that was modest to begin with - it is easy to view the sacrifices people make to work in this field as being entirely financial. Not to minimize the financial sacrifices - they ARE significant - but I would argue they are probably no more significant than a wide array of professions where people choose to devote themselves to the pursuit of "making the world a better place". This includes early childhood workers, teachers, social workers, the whole world of NGOs working in challenged communities, both domestically and abroad. And the sacrifices all these workers make are also not just financial. We all work long hours, and often under trying and unglamorous circumstances (though to outsiders arts work can seem glamorous). No, I think the more significant - and unique - sacrifice arts worke...

A life of cycling... [Updated 8/24]

Like many people in these pandemic times, I have been bicycle riding more than usual. The closed roads in City Park have made it our go-to location for family cycling. I have been cycling as my favorite recreational activity to stay fit and sane. Finally, now that I am able to work in my office (new space that lends itself well to COVID-safe working) I am able to take a route that is almost entirely on the partially closed 16th and 11th Avenues, so I am also commuting by bike almost every day. This has gotten me thinking of my long history with bikes, and thought it might be fun to reflect on my life in cycling. Do not remember when I first learned to ride. I remember perhaps at around the age of six my father trying to teach me to ride, doing the "run alongside holding onto the back of the seat then letting go" thing but he had little patience, and I was probably a difficult student. He gave up and so did I. I remember a couple of years later - I was perhaps 8 by this time -...

Inside/Outside - Art by Prison Inmates and Ex-Offenders

Leon Jesse James, "Space Modulator", acrylic on board. SCI Graterford The Art in City Hall program of the City of Philadelphia has just opened a new exhibition, INSIDE/OUTSIDE - Art by Prison Inmates and Ex-Offenders . This is a wonderful, powerful, and thought-provoking new show and I encourage everyone to see it. It is open until October 29th, on the secod and fourth floors of City Hall. More information is available here . The show involves participating artists from SCI Graterford, The Philadelphia Prison System, Art for Justice , Snyderman-Works Galleries , Connection Training Services , and the Mural Arts Program 's Youth Violence Reduction Partnership Guild Program, as well as local ex-offenders. Thomas Schilk, "Beetle", melted plastic spoons, paint. When I came to my position in 2008 as Chief Cultural Officer, one of the appeals of the position was the fact that the administration of Mayor Michael Nutter viewed the arts as being integral to virt...