Skip to main content

Philadelphia Population Reverses 50 Year Decline - How Are the Arts Involved?

The new Census numbers for Philadelphia are in, and the city managed to actually record a population increase, the first in 50 years. And while the increase was tiny - 8,456 residents, which represents a .6% increase to 1,536,006, the reversal of the decades-long decline is huge. Many older industrial cities are shrinking in population - Chicago, Baltimore - so this increase is especially notable. It is also notable because it confirms that Philadelphia has recaptured the "fifth largest American city" spot from Phoenix, which had passed Philly for a few years. (Click here for sample of press coverage.)

There are two big phenomena that jump out as you look at the detailed numbers, by neighborhood and by ethnicity. Clearly, the City is becoming much more diverse, and immigration, especially among Latino and Asian populations are a major contributor to the growth of the City. Philadelphia was a "majority minority" city in 2000 and that trend continues in 2010. The percentage of the population that is Asian has increased almost 50%, from 4.4% to 6.3%. And the Hispanic population had a similar scale increase, from 8.5% to 12.3%.  The Black population remained somewhat steady and the White population shrank from 42.5% to 36.9%.

In terms of neighborhoods, there are enormous differences from neighborhood to neighborhood. Center City East saw a 25% increase. Large double-digit increases were also recorded in Center City West, Fishtown/Northern Liberties and Bella Vista. The diversity make-up has also seen huge variations by neighborhood. In my neighborhood, Bella Vista, for example, the Hispanic population is up 170%.

Virtually all the neighborhoods that have seen huge population increases during this ten year period have also seen large increases in the number of arts organizations and artists living and operating in them. This is not an accident. Arts and culture are definitely part of the mix of elements fostering the population and economic resurgence of these neighborhoods, along with retail, restaurants and residential real estate development. Looked at by neighborhood, the population gain has largely been a Center City phenomenon, and there are many reasons for this - the great work by Center City District and Paul Levy; the impact of the cultural investments made by the City over the past couple of decades; the support those cultural investments have had from major foundations and individual philanthropists (Pew, William Penn, Lenfest, etc.); the growth of a vibrant Philly culinary scene; the real estate tax abatement program that helped spur development of new residential condominiums.  According to Center City District over the past ten years the number of arts organizations in Center City has grown from 314 to 415. Only NYC and DC have more downtown arts groups. The growth of cultural vibrancy in Center City has clearly been a factor in attracting more residents - and more residents attracts more retail and more restaurants.

From The Philadelphia Daily News, John Snyder, Staff Artist

Many of the City's poorest neighborhoods, however, were population losers, some by as much as 10%. The challenge going forward is how to help make these "shrinking" neighborhoods, many of which are filled with empty lots, abandoned buildings and declining commercial corridors, into good places to live and work. What role can the arts, creative economy and design play in solving this problem? Is there something that can be done proactively, while recognizing that great things can also happen organically (bad things can also happen organically, though...)? The new Philly Rising Collaborative program, initiated recently by the City,  is an attempt to address some of these challenged neighborhoods in a holistic and strategic way. The arts have been one element of this program's approach. The first commercial area to be targeted, for example, Market Street between 7th and 12th Streets, will include a program of free outdoor musical performances as a way to create a more welcoming streetscape. The North Philadelphia effort has involved a partnership with the Village of Arts and Humanities.

The connection between the changing demographics of the City and the arts should be obvious. Our "traditional" (i.e. not community-based, not culturally-specific) arts groups MUST find a way to connect with this growing component of the population if they are to survive and thrive. African American, Latino and Asian-American audiences (and donors!) must be engaged - this is 63% of the market in the City. Our audiences should be diverse not just when we do special "outreach" performances but for our day-to-day offerings and special events.Beyond the imperative to build audiences and supporters more representative of the larger community, the arts also have a role to play in efforts (like Philly Rising) that are seeking to revitalize neighborhoods.


These new Census population numbers are certainly cause for celebration - both because of the vote of confidence they represent for Philadelphia, and the demonstration of the role of creative vitality in how people choose where to live. But they are also another alert that we must redouble their efforts to ensure that our arts groups better serve the full spectrum of our increasingly diverse City.

Comments

  1. It's an exciting time in Philadelphia, especially for arts and culture institutions. The vibrant, diverse "outreach" programming gets better all the time. But, the "day-to-day" offerings institutions aren't getting it when it comes to audience building. My husband and I just got our Philadelphia Orchestra season package renewal in the mail: the once-affordable price went up more than 200% from last year. No way to build a diverse audience.

    ReplyDelete
  2. Excellent article. Hopefully the positive trends that are occurring in Center City will spread to the rest of Philly in the upcoming decade.

    ReplyDelete
  3. Dear urbanprospects - don't know the background to your situation with the Orchestra so it is hard to respond. Certainly keeping pricing affordable is key to building audiences. I know that many of our more "mainstream" institutions are struggling to find new ways to connect with their audiences, and reach a broader community. Pricing is one issue, but not the only one. We have to also work harder to make our organizations and venues welcoming to "unseasoned" cultural audiences who often feel intimidated (the dirty stare for clapping at the end of a movement, for example), and need to even find ways to build new programming that is relevant to and embraced by new audiences. Just a few additional thoughts! (and hope you find a way to work out the issue with the Orchestra so you can stay subscribers).

    ReplyDelete
  4. Philadelphia is one of the best cities in the World.

    ReplyDelete

Post a Comment

Popular posts from this blog

A Decade of Transformation - Reflections on my 10-year anniversary at Bonfils-Stanton Foundation

This reflection was created as part of my report to the Board of Directors at our recent quarterly board meeting. It seemed to me that it might be worth sharing more widely. So much has happened at the Foundation over the past ten years, it was a helpful exercise to try and capture those changes. I am sure I missed some! October 1, 2023, officially marked my ten-year anniversary at the Foundation. Inevitably with these milestones it is helpful to reflect on what has been accomplished, what has changed, and what remains to be done. Because this is an important and extensive story to tell, I hope you will indulge me as I share how the Foundation has transformed over these past ten years. Board/Governance I have worked with three (soon to be four) chairs in this time, starting, of course, with Lanny Martin, who led the search process that brought me to the Foundation. When I began it was a small board of five with no term limits and a Board that had not had a trustee of color in it

The Greatest Sacrifice Arts Workers Make for the Arts

With all the financial challenges arts workers are facing these days - struggling to balance the budgets of their organizations, or dealing with salary and benefit cuts on compensation that was modest to begin with - it is easy to view the sacrifices people make to work in this field as being entirely financial. Not to minimize the financial sacrifices - they ARE significant - but I would argue they are probably no more significant than a wide array of professions where people choose to devote themselves to the pursuit of "making the world a better place". This includes early childhood workers, teachers, social workers, the whole world of NGOs working in challenged communities, both domestically and abroad. And the sacrifices all these workers make are also not just financial. We all work long hours, and often under trying and unglamorous circumstances (though to outsiders arts work can seem glamorous). No, I think the more significant - and unique - sacrifice arts worke

Denver Museum Gift Shops

About ten years ago I wrote a series of three blog posts on the phenomenon of museum gift shops, the first on Philadelphia (where I was living at the time), one on New York City (where I had previously lived and worked), and a third covering the rest of the country based on museums I had visited in my extensive national travels. I was reminded of these bog posts (which got a lot of attention at the time) by new data just shared by Colleen Dillenschneider on her great Know Your Own Bone blog - "Engagement Insights from the Museum Gift Shop: The Best Thing About Museum Retail Experiences."  For the full report click on the link, but in summary the research found that the five best things from a consumer standpoint are: 5) friendly/helpful staff, 4) finding gifts for a child, 3) finding gifts for adult friend or family, 2) supporting the organization, and the number one reason is: 1) unique merchandise only available at this location. When I wrote about museum gift shops ma