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Creative Vitality in Philadelphia - Telling the Story: World Cafe Live and WXPN

As many of my readers will know, yesterday we released a new study "Creative Vitality in Philadelphia," that looks at the health of our creative sector - for-profit creative businesses, nonprofit arts and culture groups, and individual artists and creative workers.  This research uses something called the Creative Vitality Index , or CVI, that has been developed by a group called the Western States Arts Federation . Because the data is national, aggregating an array of different sources of information, it provides a great vehicle for measuring our creative sector's vitality over time, and also to benchmark ourselves against the nation and other communities. You can access a PDF of the full report here . The big "take-away" number from the report is that Philadelphia's CVI rating is 1.7, a full 70% higher than the national benchmark of 1.0. The region performs somewhat more modestly - at 1.1 ranking the region 16th out of the top 50 metro areas, though in

Who are the Millennials, why do we need them, and how do we engage them?

Patricia Martin, a really sharp writer and consultant who follows consumer trends, marketing and sponsorship, and has a special interest in arts and culture, has just come out with a new study called Tipping the Culture: How engaging Millennials will change things . It is actually available as a free download by clicking on the link above. The study was commissioned by Steppenwolf Theatre Company in Chicago, and funded by the Doris Duke Charitable Foundation as part of its support for Nonprofit Finance Fund 's "Leading for the Future Initiative."  Better understanding this new generational cohort (defined in this report as being between 15 and 31 years old) - now entering our workforce, our audiences, and our customer base, and in HUGE numbers that dwarf the size of the older Gen X group - is critical to the future of our arts organizations. The study takes a close and revealing look at this generation, helping us develop effective strategies to engage them. Notice

A Presidential Re-Quote - President Obama: "The arts are a necessary part of our lives"

This was posted on the blog The Playgoer , December 7, 2010 and was included today in Tom Cott's useful "You've Cott Mail" e-newsletter (archive of past e-mails is here , where you can also click a link to sign up). Couldn't resist sharing! Being here with tonight's honorees, reflecting on their contributions, I'm reminded of a Supreme Court opinion by the great Justice Oliver Wendell Holmes.  In a case argued before the Court in 1926, the majority ruled that the state of New York couldn't regulate the price of theater tickets, because, in the opinion of the majority, the theater was not a public necessity.  They argued, in effect, that the experience of attending the theater was superfluous.  And this is what Justice Holmes had to say: 'To many people the superfluous is necessary.'  The theater is necessary. Dance is necessary. Song is necessary. The arts are necessary -- they are a necessary part of our lives. -President Barack Obama, sal

Will New York Lose It's Primacy as a Place for Artists? Can Philly Gain?

There was a story in yesterday's Crain's New York Business called Artists Fleeing the City about the fact that the economic downturn, combined with the high cost of living in NYC, was beginning to drive artists out of the City.  Here is a key quote from the article: Though there are no official numbers, a survey of 1,000 artists conducted in 2009 by the New York Foundation for the Arts found that more than 43% expected their annual income to drop by 26% to 50% over the next six months, and 11% believed they would have to leave New York within six months. Even more troubling, cultural boosters say, is that for the first time, artists fresh out of art schools around the country are choosing to live in nascent artist communities in regional cities like Detroit and Cleveland—which are dangling incentives to attract this group—and bypassing New York altogether.   Of course, many arts advocates and policy folks in NY are trying to figure out how to prevent this from happen

A Random Act of Culture at Macy's in Philadelphia

This past Saturday at Noon the Opera Company of Philadelphia mounted a surprise performance of the Hallelujah Chorus from Handel's Messiah (with a lot of help from many other choruses and ensembles) in the women's shoe department at Macy's Center City, accompanied by the extraordinary Wanamaker Organ. There were over 600 participating singers! This performance was made possible by the Knight Foundation as part of their national " Random Acts of Culture " program, and coincided with the launch of the new Knight Arts Challenge Philadelphia . Given the scale of this undertaking it was perhaps not as much of a complete surprise as many similar arts flash mobs have been. The singers perhaps even outnumbered the shoppers surprised by the "spontaneous" performance. Yet it still worked. The performance coincided with the regularly scheduled Noon organ concert, the performers were dressed in ordinary street clothes, often accompanied by children or partners.

Light Drift and Philadelphia Underground Videos

J. Meejin Yoon's Light Drift: October 15-17, 2010 from Philebrity on Vimeo . One of the great installations as part of DesignPhiladelphia was "Light Drift" by artist Meejin Yoon, presented by the City of Philadelphia Mural Arts Program. Only able to be viewed at night, and only up for three days this past weekend, it was one of those "happenings" that are both great art, and great community celebrations. If you missed it, here is a video that captures a little of the magic. Opening on October 25th in the Art Gallery of City Hall will be a salute to some of the DesignPhiladelphia installations that the City was involved in, directly or indirectly, including Light Drift . It will also include material related to the Aurora Robson be like water installation at the Skybox (that runs through November 7th), the Virtual Public Art Project exhibit with Breadboard, Philadelphia Underground , curated by Marianne Bernstein, and FABLASTIC , by Multicultural Youth e

DesignPhiladelphia - "be like water" (says Bruce Lee)

Aurora Robson - "Up Drop" (detail) One of the great cultural assets of Philadelphia is the now six-year-old DesignPhiladelphia . This major annual celebration of all things design is now housed at University of the Arts, and each year in the month of Ocotber (this year, the 7th through the 17th)  brings together scores of exhibitions, installations, symposia and unclassifiable "happenings around the filed of design - furniture design, product design, sustainable design, fashion design, architecture, landscape architecture, etc. It is definitely a big tent, and plays to the wealth of talent that Philadelphia has in these areas. It also serves as a vehicle for bringing in artists and designers from outside the region to enrich the dialogue. It is the largest celebration of its kind and brings together the work this year of over 450 designers. One of the exciting installations this year is "be like water" - a site specific installation by the artist Aurora Ro

Celebrating Student Artists

Artist: Lung Ung, CAPA, 11th Grade, Teacher: John Fanti The exhibition currently mounted in The Art Gallery at City Hall is "A Plus Art - An Annual Celebration of Student Art." This exhibition is a selection of some of  the best art from students in Philadelphia’s public schools. Each year, The School District of Philadelphia organizes an exhibition of approximately 1,500 works of art at the School District Administration Building on North Broad St. Working in partnership with the District’s Office of Comprehensive Arts Education, we have chosen works that highlight our children’s artistic achievement in what we hope will be an annual exhibition in City Hall. This exhibition is also a testament to the many dedicated art teachers in the School District, as well as the arts administrators who emphatically believe that a quality arts education is an important part of a child’s critical development.  Dr. Dennis Creedon, the Director of Comprehensive Arts Education, and Tess

Virtual Public Art Comes to Philadelphia

In a few weeks DesignPhiladelphia 2010 comes to town, and there are an array of really cool projects that are part of it that my Office has been working on. I thought over the next couple of weeks it would be fun to begin to preview some of this exciting work. First up: Virtual Public Art. What is Virtual Public Art you say? Well whip out your smart phone and get ready for some mind-bending public art that exists only in "virtual space" but that is also part of the real space we live in. The first city-wide virtual art exhibit is coming to Philadelphia October 7, 2010. Breadboard ; NextFab Studio ; and Virtual Public Art Project(VPAP) are collaborating with the City of Philadelphia’s Office of Arts, Culture and the Creative Economy , and DesignPhiladelphia2010 to host the first VPAP exhibit in Philadelphia as part of Design Philadelphia 2010. The VPAP Philadelphia project will include an informative multimedia exhibit at Breadboard’s Esther Klein Gallery (3600 Market Str

Inside/Outside - Art by Prison Inmates and Ex-Offenders

Leon Jesse James, "Space Modulator", acrylic on board. SCI Graterford The Art in City Hall program of the City of Philadelphia has just opened a new exhibition, INSIDE/OUTSIDE - Art by Prison Inmates and Ex-Offenders . This is a wonderful, powerful, and thought-provoking new show and I encourage everyone to see it. It is open until October 29th, on the secod and fourth floors of City Hall. More information is available here . The show involves participating artists from SCI Graterford, The Philadelphia Prison System, Art for Justice , Snyderman-Works Galleries , Connection Training Services , and the Mural Arts Program 's Youth Violence Reduction Partnership Guild Program, as well as local ex-offenders. Thomas Schilk, "Beetle", melted plastic spoons, paint. When I came to my position in 2008 as Chief Cultural Officer, one of the appeals of the position was the fact that the administration of Mayor Michael Nutter viewed the arts as being integral to virt

Coburn and McCain - Giving the Arts a Starring Role Again

Posted this yesterday to the Huffington Post, where I now blog as well, and wanted to make sure followers of my own blog also had the opportunity to read it. Apologies for those getting notified twice! Senators Tom Coburn and John McCain have issued their third list of what they present as misuse of stimulus dollars: Summertime Blues , "100 stimulus projects that give taxpayers the blues." Once again they have given arts projects a starring role. Jared Bernstein already wrote a piece about this on the Huffington Post. Their previous lists included such activities as jazz festivals and Shakespeare theatres, and here in Philadelphia, a couple of theatre companies. The Greater Philadelphia Cultural Alliance spoke out about the inclusion of local arts groups here . I also wrote about it on this blog . This new list includes, by my count, ten arts-related projects among the 100 they cite. Of particular note is that they include (sharing #98) the Creative Industry Workforce

Making the Ordinary Extraordinary

A number of recent articles and threads of exploration have gotten me thinking about the importance of the role of the arts and design in transforming our everyday life. I think we are moving toward an era where the traditional enjoyment of art (performing or visual) in a passive way in a facility/space constructed expressly for that purpose will not die, but will find itself joined (perhaps surpassed) by art that subversively injects itself into our everyday life - you don't make the choice to participate. It chooses you - it is an intervention that is unexpected. This can be disturbing, delightful, inspiring, sometimes all at the same time. I have written before about the "arts flash mob"phenomenon and its vial arts equivalent, here , and here , and here . Here are a few of the items that have inspired me to think about this more deeply. Paul Goldberger reviews in the current New Yorker the new Herzog and deMeuron building in Miami. What is this new structure by this

Animated Street Art from BLU

Couldn't resist sharing this new video from the graffiti/street artist from Italy, BLU . In this video he uses stop-motion animation techniques to transform street painting into an extraordinary animated film called Big Bang - Big Boom . I think this is especially interesting as it blends multiple art forms - street art, performance art (it is clear that many people had to have watched the creation of this as a work in progress) and eventually a film. When all of this is free, how does the artist make money?  For one, he sells prints, drawings and books via his Web site. This is all part of the convergence going on now: "outsider" artists are now "inside". Renegade street artists are now at the Tate Modern (as was BLU) and are selling coffee table books. Finding the line between "vandalism" and "art" is increasingly difficult. We ran into this in a small way recently with the Philagrafika art fair here in Philadelphia. A participating artis

Is There a Creativity Crisis?

An article recently appeared in Newsweek called " The Creativity Crisis " that reported on some really disturbing new research. A test was developed back in 1957, the Torrance test, that is designed to measure creativity in a quantitative way as we also measure IQ. The Torrance test has shown a remarkable correlation between children demonstrating creativity and creative accomplishments in life - the high performers on the Torrance test go on to become inventors, college presidents, authors, diplomats, entrepreneurs, etc. The correlation to lifetime creativity is three times higher for childhood creativity than childhood IQ. And now - as anyone who reads this blog or follows the news knows - creativity is more highly valued than ever. It is seen as the leading edge of innovation and increasingly critical to global business success. A recent IBM poll of 1500 CEOs found creativity to be the #1 "leadership competency" of the future. Here is the rub - the data shows

The Greatest Sacrifice Arts Workers Make for the Arts

With all the financial challenges arts workers are facing these days - struggling to balance the budgets of their organizations, or dealing with salary and benefit cuts on compensation that was modest to begin with - it is easy to view the sacrifices people make to work in this field as being entirely financial. Not to minimize the financial sacrifices - they ARE significant - but I would argue they are probably no more significant than a wide array of professions where people choose to devote themselves to the pursuit of "making the world a better place". This includes early childhood workers, teachers, social workers, the whole world of NGOs working in challenged communities, both domestically and abroad. And the sacrifices all these workers make are also not just financial. We all work long hours, and often under trying and unglamorous circumstances (though to outsiders arts work can seem glamorous). No, I think the more significant - and unique - sacrifice arts worke

New NEA study on technology use and the arts

A new study has just been issued by the National Endowment for the Arts called Audience 2.0: How Technology Influences Arts Participation . There are a few things of special note about this research: 1) The findings: People who participate in the arts through electronic media are nearly THREE times more likely to attend live arts events as non media participants (59% vs. 21%). They also attend TWICE as many live arts events on average  - 6/year vs. 3/year. In other words, active participation in the digital media world does not compete with attendance at live arts activities, it may encourage it. I say "may" because this study once again raises the issue of causation vs. correlation. Certainly there seems to be a correlation between high consumption of art in digital form, and higher consumption of live arts. It could be that people that are passionate about art now seek it out in all formats, NOT that their digital consumption is somehow driving them to participate in live

A Blog Entry About Blogging About the Arts

So as many of my readers will now, I spent the last few days at the Americans for the Arts convention in Baltimore (along with many of you!). I spoke at a session on arts blogging, along with Graham Dunstan who oversees the Americans for the Arts ArtsBlog , Barry Hessenius of Barry's Blog , and Chad Bauman of Arts-Marketing . The session was also attended by such widely-read arts bloggers as Andrew Taylo r and Ian David Moss . [That's Graham, Chad, me and Barry in the photo - "the arts bloggers posse". I added the photo to this entry after I first posted it, when I discovered this photo on the Americans for the Arts Flicker site.] I also attended a session on utilizing new social media (like Twitter, blogs and Facebook) that featured Brian Reich , whose company is little m media . His mother, an Americans for the Arts board member who I am friendly with calls him "the next Dan Pink."  Now while this may be to some extent parental bias, I wouldn't rule

Arts and Sports

Going back to my childhood as an aspiring (at the time) artist, but also someone who was a bit of a jock/gym rat, there always seem to be a disconnect between the two worlds - the artist and the jock. This was the stereotype, that for the most part seemed to hold true in practice. I went to LaGuardia High School of the Arts in New York, and even though we had school teams, athletics was never really celebrated or encouraged. I played on the tennis team and don't think we ever had a single spectator from our school. Even though I was an avid basketball player, I am not even sure if we had a basketball team - if we did I certainly never heard about it or attended a game. When I got to college - the State University of New York at Purchase, which was primarily an arts conservatory with music, dance, theatre, film and visual arts programs - there were NO intercollegiate sports programs. The school was just getting started, so perhaps we can cut them some slack, but aside from buildin

Supporting Effective Arts Education Programs

Philadelphia has traditionally (at least for the last couple of decades) provided all its grant funding of the arts through the Philadelphia Cultural Fund - an independent 501c3 funded by the City - as general operating support. This year, the Cultural Fund's Board agreed to allocate a portion of its grant funds - $350,000 out of $3.2 million - to for the first time make project support grants, specifically grants for arts programming targeted to Philadelphia's youth. Today we announced the first recipients of this new project grants program – the Youth Arts Enrichment Grants – created to support projects that use the arts to enrich the lives of young people both in and outside of school. The inaugural round of grants, totaling $357,700, was awarded to nine youth-focused organizations. [Photo at left from a ceramics class at West Park Cultural Center, one of the grantees] The extra $7,700 available for grant-making was made possible by City employees who made payro