More on Flash Mob Art

As a follow-up to my earlier post, here is a link to the work of Duncan Speakman, an artist using MP3 players and sound to create a "subtle mob" as he calls it. Here is the direct link to his newest project, called "as if it were the last time."

It is almost as if we need to create a new art form category of experiential, immersive, participatory art. I don't feel that any existing art form categories adequately capture this new developing body of work.

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The Greatest Sacrifice Arts Workers Make for the Arts

With all the financial challenges arts workers are facing these days - struggling to balance the budgets of their organizations, or dealing with salary and benefit cuts on compensation that was modest to begin with - it is easy to view the sacrifices people make to work in this field as being entirely financial. Not to minimize the financial sacrifices - they ARE significant - but I would argue they are probably no more significant than a wide array of professions where people choose to devote themselves to the pursuit of "making the world a better place". This includes early childhood workers, teachers, social workers, the whole world of NGOs working in challenged communities, both domestically and abroad. And the sacrifices all these workers make are also not just financial. We all work long hours, and often under trying and unglamorous circumstances (though to outsiders arts work can seem glamorous). No, I think the more significant - and unique - sacrifice arts worke

A Decade of Transformation - Reflections on my 10-year anniversary at Bonfils-Stanton Foundation

This reflection was created as part of my report to the Board of Directors at our recent quarterly board meeting. It seemed to me that it might be worth sharing more widely. So much has happened at the Foundation over the past ten years, it was a helpful exercise to try and capture those changes. I am sure I missed some! October 1, 2023, officially marked my ten-year anniversary at the Foundation. Inevitably with these milestones it is helpful to reflect on what has been accomplished, what has changed, and what remains to be done. Because this is an important and extensive story to tell, I hope you will indulge me as I share how the Foundation has transformed over these past ten years. Board/Governance I have worked with three (soon to be four) chairs in this time, starting, of course, with Lanny Martin, who led the search process that brought me to the Foundation. When I began it was a small board of five with no term limits and a Board that had not had a trustee of color in it

UPDATED: A Guide to Arts and Culture Gift Shops in Philadelphia (Museum Shops and Beyond!)

Note: This was originally posted about six months ago, and with the holiday season upon us, I figured it was time to update and repost! The tourism web site UWISHUNU (from the Greater Philadelpia Tourism Marketing Corporation) has also recently published its guide to Philadelphia Museum gift shops, which is available here . Happy shopping! I have been a huge fan of museum and other arts organization gift shops for years. My work has given me the opportunity to explore lots of organizations, in NY, Philadelphia, and to some extent all across the country. Some are well known - others are hidden gems. The best ones have excellent buyers that find products relevant to the exhibitions, collections or presentations of the institution, but also stock unique artisinal creations by artists, craftspeople and designers that have a sense of place or direct connection to the organization's artistic focus. I am not talking about t-shirts and other logo-emblazoned merchandise, or touristy &quo

Mile-High Musings on Arts, Culture, Creativity and Philanthropy

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